{"id":4988,"date":"2021-10-13T15:08:27","date_gmt":"2021-10-13T15:08:27","guid":{"rendered":"https:\/\/bunnystudio.com\/blog\/?p=4988"},"modified":"2021-10-13T20:59:30","modified_gmt":"2021-10-13T20:59:30","slug":"creating-great-voice-over-animals","status":"publish","type":"post","link":"https:\/\/bunnystudio.com\/blog\/creating-great-voice-over-animals\/","title":{"rendered":"Creating Great Voice Over Animals"},"content":{"rendered":"<p><strong>The voicing and dubbing of animation is a complicated affair. Creating animated animals (also called <a href=\"https:\/\/bunnystudio.com\/blog\/voice-acting-disney-the-beauty-behind-the-voice\/\">voice over<\/a> animals) is similar to creating other animated personages, even live-action characters. There are, however, some specific differences to take into account.<\/strong><\/p>\n<p class=\"p1\">If you prefer to watch a video instead, click here:<\/p>\n<p><iframe title=\"Creating Great Voice Over Animals\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/kTI-DPvY7T0?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/bunnystudio.com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>This post has been updated in October 2021.<\/p>\n<h3><strong>The Basics of Voice Over Animals <\/strong><\/h3>\n<h4><strong>Voice Over vs. Dubbing<\/strong><\/h4>\n<p><strong>Voice over is simply <a href=\"https:\/\/bunnystudio.com\/blog\/some-voice-over-film-examples-for-your-entertainment\/\">adding a voice<\/a> on top of content that already exists. Imagine a documentary that requires an off-screen <a href=\"https:\/\/bunnystudio.com\/blog\/voice-acting-books-getting-the-very-best-narrators\/\">narrator<\/a>. Such a narrator would record the lines in a recording studio and these lines would be added on top of the documentary itself.<\/strong><\/p>\n<p>In the case of dubbing, the process is a bit lengthier. It requires the total replacement of voices which already exist in a piece of content. Imagine an anime film in the Japanese language. Its script must be translated and then a full cast of voice actors must be assembled. These <a href=\"https:\/\/bunnystudio.com\/blog\/what-to-include-in-a-competitive-voice-acting-resume\/\">voice artists<\/a> must voice each character completely and thus produce an entirely new audio track, so that the film may be enjoyed by people who do not understand Japanese.<\/p>\n<p>In the case of animal animated characters, there a various possibilities. If the animation is originally in English, then voice artists will voice the characters normally. Alternatively, if these characters come from other countries, they will have to be dubbed in English.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-4258\" src=\"https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_2.jpg\" alt=\"funny voice over animals\" width=\"640\" height=\"213\" srcset=\"https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_2.jpg 640w, https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_2-300x100.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<h4><strong>What is Anthropomorphism? <\/strong><\/h4>\n<p><strong>Anthropomorphism is essentially attributing human emotions and characteristics to non-human characters, such as animals. It has been widely used throughout time. Fables, for instance, have traditionally featured anthropomorphized animals.<\/strong><\/p>\n<p>Modern literature has also had a large presence of such characters: Peter Rabbit and Winnie the Pooh, are just two examples of a large repertoire. Film, television and video-games, feature a huge amount of voice over animals too.<\/p>\n<h3><strong>Creating Convincing Voice Over Animals <\/strong><\/h3>\n<p><strong>Creating great voice over animals for television, film or video-games is easier said than done. Voice acting, it must be understood, is primarily acting. As such, creating compelling and <a href=\"https:\/\/bunnystudio.com\/blog\/boy-voice-tips-for-men-and-women-to-create-the-perfect-voice\/\">convincing characters<\/a> is a similar challenge either on stage, screen, or the recording studio.<\/strong><\/p>\n<h4><strong>Given Circumstances <\/strong><\/h4>\n<p>The very first step in creating a character, both in the writing process <em>and <\/em>at the acting level is understanding their \u2018given circumstances\u2019.<\/p>\n<p>Famous acting coach <a href=\"http:\/\/larrymoss.org\/acting-coach-larry-moss.html\">Larry Moss<\/a> in his wonderful book <a href=\"https:\/\/www.amazon.com\/Intent-Live-Achieving-Potential-Actor\/dp\/0553381202\/ref=sr_1_1?crid=16CW6RKQVV8DN&amp;keywords=the+intent+to+live+by+larry+moss&amp;qid=1582755525&amp;sprefix=the+intent+to+live%2Caps%2C260&amp;sr=8-1\">\u2018The Intent to Live: Achieving your True Potential as an Actor\u2019<\/a>, describes \u2018given circumstances\u2019 as:<\/p>\n<p style=\"padding-left: 40px;\">\u201c(\u2026) the term used in acting for everything the writer tells you in the script about your character and the situation they find themselves in. Given circumstances are the facts; they are the information that is not subject to debate (\u2026) They are the ground on which you build your creative choices, the only place you can begin.\u201d<\/p>\n<p>This phase, therefore, deals primarily with observation. Who is this character? What is his profession and basic way of life? The more a voice artist is able to investigate who it is they are representing, the better.<\/p>\n<p><strong>In the case of voice over animals, it is the same: investigation and a careful reading of the script are paramount.<\/strong><\/p>\n<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-4257\" src=\"https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_3.jpg\" alt=\"the most famous voice over animals\" width=\"640\" height=\"213\" srcset=\"https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_3.jpg 640w, https:\/\/bunnystudio.com\/blog\/wp-content\/uploads\/2020\/02\/Voice-over-animals_JO_3-300x100.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/p>\n<h4><strong>Ed Bighead and Character Traits <\/strong><\/h4>\n<p>Consider the 90\u2019s kid\u2019s show \u2018Rocko\u2019s Modern Life\u2019. The show was about a wallaby named Rocko and his life and friends. At first glance an investigation of \u2018given circumstances\u2019 is impossible here, or is it?<\/p>\n<p><strong>Take Ed Bighead, Rocko\u2019s neighbor. He was an anthropomorphic toad, who was grumpy and angry all the time. He worked at a very large corporation called Conglom-O, in an ungrateful middle management role.<\/strong><\/p>\n<p>Note that the given circumstances of Ed Bighead are transmitted in several ways. For starters, they are revealed in the drawing of the character itself: Ed Bighead does indeed <em>physically look <\/em>like a beaten-down salaryman. This informs the performance of the voice artist bringing this character to life. Watch this clip with an eye on the \u2018given circumstances\u2019 that Rocko\u2019s neighbor has: who is he, what is his relation to his wife and to Rocko and his friends? What situation is he in now, and how does it come out <a href=\"https:\/\/bunnystudio.com\/blog\/how-to-control-your-voice-the-ins-outs-ups-and-downs\/\">vocally<\/a>?<\/p>\n<p><iframe title=\"Rocko and Mr. Bighead Book the Same Cabin | Rocko&#039;s Modern Life | NickRewind\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/yRoRyQA4VLQ?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/bunnystudio.com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h2><\/h2>\n<p>Note that the characteristics of Ed\u2019s personality are primarily transmitted through his voice. Try to simply \u2018listen\u2019 to the clip above, without watching the images. He is acquiescent with his wife but pompous and cantankerous with everybody else and this is immediately apparent in the tone and vocal range of the actor voicing him.<\/p>\n<p>Understanding the <strong><em>context<\/em><\/strong> of the characters is important. In the case of Ed Bighead, his subservient relationship to his wife directly informs the inflection in his voice when speaking to her. By contrast, Ed Bighead dislikes Rocko and his friends intensely and this is immediately evident in his tone of voice. As always in fiction, <strong><em>finding the conflict <\/em><\/strong>directly informs the creation of characters; in the case of voice over animals, such creation is expressed vocally.<\/p>\n<h3><strong>Objective and Superobjective <\/strong><\/h3>\n<p><strong>Finding the objective and superobjective of the voice over animals is also important. Larry Moss describes how \u201cthe objective is what your character wants in a certain scene in order to try to fulfill their needs.\u201d<\/strong><\/p>\n<p>The scene objective, in turn, is tied to the overarching superobjective of the script, which he describes as \u201cthe engine that propels you through the journey of the play or film; it is the dream that moves you through the story, for in plays and films as in life, without dreams we don\u2019t take action.\u201d<\/p>\n<h4><strong>The Brain\u2019s Dream <\/strong><\/h4>\n<p>A clear example of the use of an objective and superobjective in the creation of voice over animals is found in \u2018Pinky and the Brain\u2019. This cartoon featured two lab mice, one of which dreamed about taking over the world. Such superobjective drove each season and in turn gave form to the objectives of each episode and each scene. The intro itself makes the objective and superobjective quite clear:<\/p>\n<p><iframe title=\"Pinky and The Brain Intro\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/GBkT19uH2RQ?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/bunnystudio.com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h2><\/h2>\n<h4><strong>Communicating the Objective and Superobjective<\/strong><\/h4>\n<p><strong>The objective and superobjective also create a particular take on a character and, crucially, will inform the vocal decisions of talent giving life to voice over animals.<\/strong><\/p>\n<p>Note for example Brain\u2019s particular appearance and his tone of voice. One could even surmise that Brain\u2019s character must have been directly influenced by Napoleon himself: his whole sound and look is that of an aspiring world ruler.<\/p>\n<h3><strong>The Emotional Life of the Character<\/strong><\/h3>\n<p><strong>Voice over animals, just like any other character, must have an <a href=\"https:\/\/bunnystudio.com\/blog\/voice-acting-monologues-characters-bare-all\/\">emotional life<\/a>. It is essential to endow voice over animals with emotion, via <a href=\"https:\/\/bunnystudio.com\/blog\/russian-voice-tips-to-sounding-authentic\/\">crafty<\/a> voice artistry. Take this example from \u2018Ren and Stimpy\u2019:<\/strong><\/p>\n<p><iframe title=\"Ren Has Just About Had It With Kowalski | The Ren &amp; Stimpy Show | NickRewind\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/G_0cuh_zsEQ?feature=oembed&#038;enablejsapi=1&#038;origin=https:\/\/bunnystudio.com\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h2><\/h2>\n<p>Ren was known to be a particularly emotional character, to say the least, as evidenced by this clip. A voice actor has to take on such an internal, emotional life into account when giving life to the words on the script.<\/p>\n<p>Understanding <strong><em>the back story <\/em><\/strong>of a character is useful when trying to give it an emotional life. There are many things that are not in a script that are useful when voicing animation. A voice artist should attempt to know as much as possible of the back story of a character, particularly in longer projects.<\/p>\n<p>Thereafter, the challenge is being able to communicate this in a performance. Larry Moss states, talking to actors (and, by extension, to voice actors): \u201cThe degree of your commitment to gaining what you want in the scene (your objective) is the degree to which the audience is moved.\u201d This is an invitation to add real emotional weight to the words in a script. Such weight must also be provided to voice over animals.<\/p>\n<h3><strong>Finding the Funny<\/strong><\/h3>\n<p>Finally, when giving life to voice over animals we must not forget that they are often comedic. How do we make them funny? Larry Moss offers some ideas on creating comedic performances:<\/p>\n<ul>\n<li><strong>Much of comedy is derived from the <em>rigidity<\/em> of a character. Their strong points of view enter into conflict with their surroundings and this leads to hilarity.<\/strong><\/li>\n<li><strong>It is important to always believe in the <em>truth and the stakes<\/em> of a character. In the case of the Brain\u2019s ambitions, a voice over actor must believe in his dream of world domination. This truthfulness will render a solid performance that does not waver and is funny.<\/strong><\/li>\n<li><strong>Comedy acting is often <em>ensemble acting.<\/em> This stresses the importance of great casting.<\/strong><\/li>\n<\/ul>\n<p>Consider a classic character like Donald Duck. He seems to exemplify all these characteristics: a rigid personality who strongly desires something and is paired off with equally strong-willed characters.<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=oid2a6NRVMU\">https:\/\/www.youtube.com\/watch?v=oid2a6NRVMU<\/a><\/p>\n<h2><\/h2>\n<h3><strong>Where to Create Voice Over Animals<\/strong><\/h3>\n<p>Where can we create voice over animals? What is the process? Well, voice over animals are animation. Once this animation is created, there are different possibilities: <strong><em>(i)<\/em><\/strong> voice the characters in English (like in the clips we examined), or <strong><em>(ii)<\/em><\/strong> translate the script and cast the different voice acting roles (in the case of animation from other countries, which wants to reach an English-speaking audience).<\/p>\n<h4><strong>All-In Flexible Online Providers<\/strong><\/h4>\n<p>The best alternative nowadays is to acquire a provider who will be able to take care of original voicing, translation and casting\/dubbing.<\/p>\n<p><strong><a href=\"https:\/\/bunnystudio.com\/\">Bunny Studio<\/a>, for instance, is able to do these things, having built a track record in providing voice over and translation of the highest caliber. Most importantly, however, this online hub is able to provide flexible solutions.<\/strong><\/p>\n<p>In the case of voice over animals, this flexibility is essential because such projects have a special sort of complexity. Indeed, as advanced as online acquisition of translation and voice over is , only all-inclusive providers are able to tackle high-complexity projects like remote dubbing with a large cast.<\/p>\n<h3><strong>In a Nutshell <\/strong><\/h3>\n<p>The creation of voice over animals is similar to the creation of other animated personages and live-action characters. Voice acting, it must be understood, is primarily acting.<\/p>\n<p>The very first step in creating a character, both in the writing process <em>and <\/em>at the acting level is understanding their \u2018given circumstances\u2019.<\/p>\n<p>Finding the objective and superobjective of the voice over animals is also important.<\/p>\n<p>Voice over animals, just like any other character, must have an emotional life.<\/p>\n<p><strong>Finally, when giving life to voice over animals we must not forget that much of the comedy is derived from their <em>rigidity<\/em>. It is important to always believe in the <em>truth and the stakes<\/em> of a character. Comedy acting is often <em>ensemble acting.<\/em><\/strong><\/p>\n<p>The best alternative nowadays is to acquire an all-in, flexible provider who will be able to take care of original voicing, translation and <a href=\"https:\/\/bunnystudio.com\/blog\/voice-work-what-to-know-before-starting-out-in-the-industry\/\">casting<\/a>\/dubbing in a project.<\/p>\n<blockquote><p><strong>Find the perfect voice for you today at <a href=\"https:\/\/bunnystudio.com\/voice\/?p=mar-acq-con-CTAintext&amp;utm_campaign=ctaintext\">Bunny Studio!<\/a><\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The voicing and dubbing of animation is a complicated affair. Creating animated animals (also called voice over animals) is similar to creating other animated personages, even live-action characters. There are, however, some specific differences to take into account. If you prefer to watch a video instead, click here: This post has been updated in October [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":4259,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2326],"tags":[22104,22105],"hashtags":[],"class_list":["post-4988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-voice","tag-businesses","tag-freelancers"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Creating Great Voice Over Animals - Bunny Studio Blog<\/title>\n<meta name=\"description\" content=\"The voicing and dubbing of animation is a complicated affair. 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